Two Sides of the Same Wound

Every story has two people telling it. And rarely do their versions match.

“Crossing the Line” opens on that uncomfortable truth and never lets go of it. On one side, there is Clay — on television, in front of cameras, telling the world about losing his father and being left paralyzed. He is composed, sympathetic, the kind of man who makes audiences reach for their phones to post about injustice. On the other side, there is Henry — standing outside a truck, trying to make herself get back inside it, trying to will her body into a space where something terrible happened to her.